enticingly: (Default)
[personal profile] enticingly posting in [community profile] masturbatorium


Intimacy is NOT necessarily about full sexual contact. Intimacy is all about two people forming a connection and bond between them. That involves becoming best friends, trusting each other, knowing each other, understanding each other. Intimacy is grown and developed, it can't be rushed.

Nonsexual forms of intimacy can add a great deal of depth and variety to fiction. On one end of the spectrum, they provide extra steps to support the journey from meeting a potential mate through romance, sex, and marriage. In the middle, they convey the import of family and professional connections, distinguishing those from more casual acquaintances. On the other end, they form much of the glue in primary relationships for people who don't base their ties on sexuality. Sex and romance are valuable, but they're not everything.

RULES
-Comment with your character. Be sure to include preferences (ie, f/f for shipping, OTA for gen, etc)
-Tag others!

PROMPTS
1. Hair care. Brushing, braiding, washing, cutting -- all of these involve a lot of careful touching in ways that many people enjoy. Hair braiding is a bonding experience in some cultures. In fact, grooming is a bonding technique for social primates in general. People without close ties to others often treat themselves to regular salon visits as a socially acceptable way to meet the need for touch and interaction.

2. Shaving. This involves an unusually high level of trust, especially if the person is using a straight-edge razor or something else with an exposed blade rather than just a buzzer. Although it can apply to women, shaving is one of the few forms of physical intimacy that is most closely associated with men due to their facial hair. Initiaton into shaving is a major milestone for becoming a man, not just for boys during puberty but also for transsexuals during transition.

3. Bathing. This varies by culture; in America most people bathe alone but some other cultures practice communal bathing. A bath is usually more intimate than a shower, although a public bath can be non-intimate and small shower stall can be intimate. It's also different when two people wash each other (an exchange of intimacy and affection) than when one person washes someone else (more of a caretaking or protective gesture).

4. Feeding. A classic romantic motif involves lovers feeding each other, but it works as a way of providing and caring for someone in any context. Like bathing, it can also clue whether both parties are participating equally or one is taking care of the other (temporarily or regularly). This one has an existential flavor since survival depends on food supply.

5. Seeing someone without their adaptive equipment on. This includes glasses, dentalware, prosthetic limbs, a wheelchair, etc. Adaptive equipment is part of one's presentation to the everyday world, and taking it off can be as intimate as removing clothing, for many people in many contexts.

6. Holding Hands. There can be many reasons for this gesture. Physical closeness, offering comfort, or staying together in a crowd, all may have you reaching for someone.

7. Undressing someone. This can be kind of a one-way experience if the recipient isn't awake, and is often awkward for both people if they are awake. Sometimes it happens because hands are out of commission, but a more common example is someone passing out drunk. Overheating is another good reason. Different circumstances can imply different levels of intimacy.

8. Sharing secrets. This especially applies to talking about personal issues that aren't widely known. An exchange of secrets is a common ritual between "best friends" among girls and women, but appears elsewhere as well. Some things are only discussed among people with a common reference; veterans may be more comfortable discussing war memories with each other than civilians.

9. Ordering for someone in a restaurant. Acquiring food, without asking the other person what to get, shows a knowledge of their needs and desires. Providing food is also a gesture of support and sustenance.

10. Providing moral support at a major event. Helping someone get through a funeral, a trial, or other intense but not crisis situation is usually performed by a very dear friend. This is a situation where lovers or family members may be too close to the matter to be much use.

11. Crying on someone. When you cry, you tend to let your guard down. Most of the people close to you will see you cry at some point, so that can be a milestone in a relationship. Actually crying on someone, letting them hold you, is even more intimate.

12. Serving in a primary role for someone during a wedding. This includes the best man or maid of honor at a wedding, or stand-in for absent parents, etc. as well as the traditional family roles. One aspect of intimacy is sharing each other's lives, including ceremonies and transitions.

13. Comforting someone after a bad breakup. Moments of great vulnerability can bring people closer. While this role sometimes falls to family, breakup repair more often goes to a woman's female friends or a man's male friends.

14. Listening to someone's heartbeat or breathing. Close body contact, enough to carry soft personal sounds, tends to be comforting as well as connecting, as it touches on positive childhood memories for most people. It is shared between parent and child, sometimes between siblings, and later between lovers. Tight nonsexual partners may also do this.

15. Putting someone to bed. Interestingly, this activity can happen among people who are just getting to know each other -- most often if someone passes out drunk, but exhaustion can have a similar effect. It's a gesture of caring to put someone to bed rather than leave them where they drop. A milder version involves draping a blanket or coat over a person asleep on a couch or the like.

16. Sleeping in the same bed. This is an act of shared vulnerability and intimacy. Lovers customarily do this; so do some siblings or friends, especially as children. People may also be driven to share a bed, sleeping bag, etc. for warmth or lack of other accommodations in challenging circumstances.

17. Watching someone sleep. There is more vulnerability on the part of the sleeper, and more intimacy from the watcher, when only one person is asleep. Parents often watch their children sleep. Lovers sometimes do this with each other, which can be cute or creepy. It's also a guard position, useful for showing that one character seeks to protect another.

18. Waking someone up from a nightmare. A subtler form of rescue than more physical actions, this is still a gesture of protection and caring. It often leads to comfort afterwards. A typical courtesy between parent and child, or lovers, this can also be an early threshold for characters thrust together unexpectedly if one of them has sturdy daytime walls and a lot of issues. It is common, but often unspoken, among war buddies or veterans, many of whom have nightmares.

19. Sharing clothes, jewelry, other personal items. This is common between siblings or close female friends. Sometimes roommates do it too. Wearing someone else's shirt or bathrobe is typical in romantic relationships, so can suggest a similar level of intimacy even in the absence of sex.

20. Cleaning someone else's living space. This shows care and knowledge on the part of the cleaner, and trust on the part of the recipient. You have to know what NOT to throw away or move. It's typical of family members and roommates. Coworkers may clean each other's desk, office space, etc.

21. Living together. This is a big step, even if it's just for a little while. Housemates are in each other's pockets; it's hard to keep secrets. Family members and lovers often live together, but housemates who are family-of-choice form a category of their own. If you don't want a romantic partner, a permanent housemate is a good choice for someone to share your life with.

22. Childbirth. Attending the blessed event entails providing a lot of moral support for hours under high stress. It can create a bond with the baby as well as with the mother. When planned, this opportunity is only offered to the closest family members or friends, barring professionals. But it can happen by surprise in very awkward circumstances, a popular motif in fiction.

23. Saving someone's life. Quick action in a life-threatening situation demonstrates how much one person values another. This can create a strong sense of connection, and sometimes obligation. It often, though not always, entails personal risk for the rescuer. This is fairly typical for military buddies or police partners, etc.

24. Risking your life for someone. Placing someone else ahead of your own life shows their importance to you unequivocally. This often, though not always, involves trying to save or protect another person. While it can create a sense of gratitude, it frequently causes anger as well -- someone who loves you will generally object to you endangering yourself, even to protect them. Military and police buddies protect each other regularly.

25. Making emergency decisions for someone. This reveals both how well you know the person, and how much you care about them -- whether you know what they would want, and act on it even if it differs from your personal preference. Unlike some of the other options, in this one the initial action is often outweighed by the aftermath. Both characters have to deal with the results of the decisions, good or bad.

26. Deathwatch. Dying can be as intimate as giving birth. Staying with someone while they pass is an act of love; so is providing moral support to someone sitting deathwatch for a family member or other person. Many soldiers and police have done this for someone.

Nico do Angelo | Heroes of Olympus

Date: 2013-10-10 01:22 am (UTC)

Calypso | Heroes of Olympus

Date: 2013-10-10 01:28 am (UTC)
forlornly: (013)
From: [personal profile] forlornly

19

Date: 2013-10-10 02:50 am (UTC)
weirlind: (009)
From: [personal profile] weirlind
[For the most part, Jack doesn't really pay attention to the little things. Take clothes for instance. Ellen's smaller than him, sure, but sometimes they wear the same kind of clothes. Plain t-shirts, jeans. When she dresses up, though, that... Is definitely something to look at.

Which is exactly what he's thinking of when he bends down to scoop up a shirt from his floor and tugging it on. It's a little tight, especially around the shoulders and arms. He frowns.]


I think I need to buy new clothes again.

Re: 19

Date: 2013-10-10 03:37 am (UTC)
legbreaker: (06)
From: [personal profile] legbreaker
Ellen is lounging on his bed like she owns, hair still messy from sleep (amongst other things), head tilting slightly to one side to get a better view of him as he moves around the room.

She spots the problem almost immediately. Mostly because the shirt he's looking for is actually on her at the moment, the first thing she'd grabbed when she'd decided it was too cold the night before.

She's not going to mention that, though. She can sacrifice a shirt for entertainment]
What else is new? You go through them like once a week. You know more muscles don't mean more skill, right?
Edited Date: 2013-10-10 03:44 am (UTC)

Date: 2013-10-10 03:58 am (UTC)
weirlind: (014)
From: [personal profile] weirlind
[He's flexing a bit, not to check himself out or to show off, but more in the hopes that the shirt will magically stretch itself out and fit him better. He doesn't even need for it to be loose.] I'd cool it on the weights then. You're not fooling anyone.

[He tosses a grin at her before tugging on the collar.] Mom is not going to like this.

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Jaime Lannister | A Song of Ice and Fire

Date: 2013-10-10 01:29 am (UTC)
kingslays: (Default)
From: [personal profile] kingslays

Vanessa Cleveland | Daughters of the Moon

Date: 2013-10-10 01:29 am (UTC)
fatedchaos: (pic#5903414)
From: [personal profile] fatedchaos

cheria barnes | tales of graces

Date: 2013-10-10 01:31 am (UTC)
lighthealer: (006 ❥ how bright you glow)
From: [personal profile] lighthealer

Date: 2013-10-10 04:30 am (UTC)
lightens: (011)
From: [personal profile] lightens
[Keiko knows that about 90% of her friends are definitely not the touchy feely type, which is honestly too bad. Because she totally is. Not that she's weird about it, or at least she doesn't think so. And she definitely does her best to respect everyone's personal boundaries.

Okay, no she doesn't. But it's the the thought that counts.

So when her and Hoshi-chan are walking downtown, there just seems like something natural to reach out and take her hand. Because Keiko's pimp like that.]

Date: 2013-10-10 05:31 am (UTC)
darkens: (8.)
From: [personal profile] darkens
[So bold, Keiko-san...!

The sudden contact takes Hoshi by surprise, of course, though there isn't much of a visible reaction from her; her eyes widen slightly, and her arm twitches, but she doesn't say a word. There's a small part of her that wants to jerk her hand away, but... no, that would hurt Keiko's feelings, wouldn't it? That's the last thing she wants.

And, well, it's not like this is entirely bad. At least, she doesn't think so. Like everything else about her pink leader, Keiko's hand is warm and soft. Comforting. It's been years since she's held hands with anyone, not since she was a little girl clinging to her parents' hands as they crossed the street together, but this is. Different, somehow.

She has no idea what she's supposed to do. Keep walking, she supposes. Keep on pimpin', Keiko.]

Date: 2013-10-10 08:32 pm (UTC)
lightens: (006)
From: [personal profile] lightens
[The thing is, Keiko understands the lives her friends have had. Not on a personal level - she can never really understand how they feel or what they went through, not when her life is seemingly perfect. And there's a level of guilt associated with that. Why does she get to be so lucky when everyone around her suffers so much?

Not that Keiko would ever tell that to them. Because then they'd be tripping over themselves to reassure her, and it's not like she needs the reassurance. No, she's comfortable in who she is and her place in the world. As the leader, as the kind of glue that keeps them together.

As the person who can probably offer them the sort of comfort they need because she's not weighed down by her past.

She glances at Hoshi and smiles.]
It's getting crowded out here, I didn't want us to get separated.

minako arisato | persona 3

Date: 2013-10-10 01:34 am (UTC)
coalition: (pic#6568841)
From: [personal profile] coalition

annabeth chase | pjo/hoo

Date: 2013-10-10 01:45 am (UTC)
allnerves: (➛ thinky face)
From: [personal profile] allnerves
ooc | not finished reading hoh sobbing gently

Lily Evans | Harry Potter

Date: 2013-10-10 01:48 am (UTC)
sacrificial: (Default)
From: [personal profile] sacrificial

scout mccall | teen wolf ( 63 )

Date: 2013-10-10 01:50 am (UTC)
nojuice: (✗ cute)
From: [personal profile] nojuice

juniper | pjo

Date: 2013-10-10 01:51 am (UTC)
coniferous: (✾ clasping)
From: [personal profile] coniferous
ooc | nope still not done reading hoh.

15???

Date: 2013-10-10 04:25 am (UTC)
asanox: (012)
From: [personal profile] asanox
They've taken the late watch to give everyone else a break, and Frank can't say he's complaining too much. Bed would be nice, but helping everyone else out, being with Hazel, that's way better.

A comfortable silence has fallen over them for the past half hour, and he's about to break it when he feels her head on his shoulder. A flutter moves through his stomach as he tilts his head to look down at her.

"Hey. You still awake?"

yes good

Date: 2013-10-10 06:13 am (UTC)
intrepidae: (05)
From: [personal profile] intrepidae
She hadn't meant to fall asleep at all. But Frank was right there, and he was warm, and she was just tired. Her head lolled a few times before hitting his shoulder, and she just stopped fighting it, dozing off against him.

Except she jolts awake at the sound of his voice. "What? Yes. I'm awake. Sorry, Frank."

Date: 2013-10-10 08:25 pm (UTC)
asanox: (007)
From: [personal profile] asanox
Oh no she's really cute. And there's a bit of guilt in him that he's woken her up, especially considering the past few days that they've had. Shed' be more comfortable somewhere else though, like her own bed, rather than leaning against him.

"No, it's okay. But if you're tired, you should go to bed. Come on." He gets to his feet and offers her his hand. He'll just, you know, take her there.

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18

Date: 2013-10-10 06:53 pm (UTC)
sometimeskinder: (Default)
From: [personal profile] sometimeskinder
Nico's always heard better in the dark.

He doesn't hesitate when the sounds of Hazel's distress carry through to him; he doesn't even bother with the door. Slipping in between the shadows, he ends up in her room on the Argo II. And then just kind of...stops for a second.

Nico doesn't know how to do this. He was always the younger sibling, the one that needed comfort. Not the one giving it. Still, he can't leave Hazel like this, so he forces past the hesitation and slowly reaches out, touching her shoulder gently before shaking her a little.

"Hazel." A beat. "Hazel, wake up. It's not - wake up." It's not real, he'd wanted to say, but they're demigods. It might be.

Date: 2013-10-10 09:29 pm (UTC)
intrepidae: (10)
From: [personal profile] intrepidae
She's not quite falling out of bed, but the blankets are kicked off near her feet. Pasiphaë follows after her, her underground maze growing and growing, and no matter what Hazel does, she can't seem to stop it. The ground opens beneath her - no, no, she did that, that's how she defeated the witch - but just before she falls -

"Hazel."

Nico's voice filters in, and something all too real touches her shoulder. She wakes with a start, one of her arms flying for her spatha, only her fingers hit Nico instead. Nico, live and real and standing before her. Her eyes scan the room anyway, already adjusted to the darkness of it.

She recognizes him there, but it'll be a moment before she's completely out of the dream. At least she stops scrambling, but her hand stays on Nico's arm. Grounding herself.

Date: 2013-10-10 10:19 pm (UTC)
sometimeskinder: (12)
From: [personal profile] sometimeskinder
"Ow."

He's not actually surprised that she hits him - he'd been half expecting it, but he doesn't move out of the way. He's okay with being the something solid she needs to hold on to, right now.

"It's just me," he adds, noticing the way her eyes scan the room. His hand tightens on her shoulder, and he has to swallow down the urge to go and kill whatever's made her dream like his. For a start, it's completely possible she's already done it herself.

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